bnr shamisen

Virtuoso Japanese Series

Price: $240  

Tsugaru Shamisen, the second release in the Virtuoso Japanese Series, is now available as a Kontakt instrument library.

Sonica Instruments has painstakingly recreated every aspect of the revered tsugaru shamisen — the stirring percussive sounds, the powerful playing techniques, and the blazing speed of hajiki picking — in a Kontakt instrument library. The Virtuoso Japanese Series’ Tsugaru Shamisen library is certain to enliven nearly every genre of music, from Japanese minyo folk songs to hard rock, jazz, contemporary classical music, and movie scores.


Main Features

  • Perfectly recreates the sound of the tsugaru shamisen with the best possible recording and programming techniques
  • Completely natural picking sounds by virtue of up to five velocity layers and as many as 12 round robins
  • Covers more than 20 tsugaru shamisen playing techniques, all key-switch controllable
  • Five key-switch controllable phrase banks containing a wide array of essential tsugaru shamisen phrases
  • The newly developed String Mode Mechanism — which lets you select which string to play — provides rich expressiveness and realism with the same feel as an actual shamisen
  • Reproduces the resonance buzz of the azuma sawari inherent to the tsugaru shamisen that operates in the same way as the real thing
  • Three selectable tuning modes for ni-agari, honchoshi, and san-sagari tunings
  • The open string notes, sawari effects, and resonant tones are adjusted automatically to match all tunings and key transpositions
  • The alternate picking function reproduces sequences of downstrokes and upstrokes
  • The Hajiki-Legato function allows you to play hajiki sounds instantly with Legato
  • The plucking control function provides realistic attack nuances
  • The built-in Instrument Editor provides string-by-string tuning and volume adjustments
  • Lively powerful sounds sampled in full 24 bit 96 kHz fidelity (the library contains 24 bit 44.1 kHz samples)
  • Create your own mixes with the multi-microphone samples and a dedicated mixer with individual controls for Direct, Overhead, Room, and Stereo Mixov02ov03ov04 cp

Performer Profile
ov05 yamanakaTsugaru Shamisen Performer
Nobuto Yamanaka

After graduating from middle school, Yamanaka, at the age of 15, moved on his own to Hirosaki, Aomori Prefecture, where he studied for four years as a live-in apprentice to the late Chisato Yamada, a master of the tsugaru shamisen. This experience led him to become an instructor in the Yamada School of shamisen.

After winning in consecutive years at the C and B Levels at the Tsugaru Shamisen National Competition (at Hirosaki University), Yamanaka further distinguished himself by winning at the top A Level. Later he went on to win three times in the Utazuke Division, demonstrating his technique in traditional utazuke (providing shamisen accompaniment to singing), the most difficult aspect of the art.

He has performed in 20 different countries, and as a member of the Takio Ito and Takio Band, he has performed modern arrangements of minyo folk songs such as “Nanchu Soran” for over 16 years.

Yamanaka currently gives concerts and lectures and performs at schools as a solo performer. He is also a part-time instructor at the Senzoku Gakuen College of Music and serves as a sightseeing ambassador for the city of Kazo in Saitama Prefecture.

On May 4, 2016, he was crowned the A Level champion, the highest award, at the 35th Tsugaru Shamisen National Competition, held at the Hirosaki City Hall in Aomori Prefecture.

Uncompromising performance and recording

Nobuto Yamanaka played the tsugaru shamisen for our sampling sessions.
He poured tremendous energy into each note with his unerring skill and superb concentration.

In the studio, we used a meticulous microphone setup together with high-end microphone preamps with no coloration to capture the sounds of the instrument in their natural glory.


Sonica Instruments developed a number of novel articulation mechanisms and interfaces for this library, so you can recreate the distinctive playing techniques of the tsugaru shamisen.

String Mode Mechanism

Although the tsugaru shamisen has three strings, unlike the guitar, chords are rarely played. Instead, a tsugaru shamisen performance usually consists of single-note phrases played mainly on the first or third string.

To recreate this performance style, we developed the String Mode Mechanism, which operates Tsugaru Shamisen like an instrument with three independent strings so that you can select and play a specific string.

When performing, the String Mode can be instantly selected with key switches. This lets you go back and forth between the three strings to play phrases just like on the real instrument.

stringsmonitor<String Monitor>
The String Monitor shows in real time which string is currently ringing.
  • Pitch of the open strings
  • Selected string
  • Position of the string’s sound
    Red: Open string
    Green: Fingered (neck position)

Hajiki-Legato function recreates hajiki pull-offs

Hajiki is a left-hand pull-off technique fundamental to the tsugaru shamisen. When playing a MIDI keyboard with Legato, you can instantly access the hajiki sound from any articulation without a key-switch control.

Alternate picking function reproduces continuous bachi plectrum attacks

Tsugaru Shamisen includes a function to recreate alternate picking, with Key On events triggering downstrokes and Key Off events triggering upstrokes. This function is active only while the sustain pedal is held down and inserts alternate picking instantly into any articulation. You can easily perform tremolo picking patterns by repeatedly hitting a key with the sustain pedal held down.

Resonance mechanism for sawari and resonant tone effects

Tsugaru Shamisen provides separate sound sources for the azuma sawari and resonant tones that are crucial to create the tsugaru shamisen sound. And just like the real instrument, the resonant tones respond to the specific interval being played. Furthermore, they are adjusted automatically to match different tunings and key transpositions to ensure an accurate recreation of the instrument’s sound. The volume of each resonance component is adjustable.

tuningThree tunings as well as key transpositions

The library comes with three standard shamisen tunings: ni-agari, honchoshi, and san-sagari. Changing the tuning changes the pitches of the open strings, although the keyboard’s chromatic notes do not change. The sawari and resonance effects track the tuning changes to recreate the inherent sound of each tuning.

Instrument Editor permits fine adjustments to the instrument

The built-in Instrument Editor lets you adjust the volume and fine tuning of each string and the noise mixer lets you set the sawari volume, the resonance volume, and the release noise volume. This gives you the ability to precisely tailor the instrument’s sound to your liking.

Two play modes and two pitch bend modes

There are two play modes to suit your musical ideas. The Single mode provides the most realistic feel, while the Poly mode lets you play chords. There are also two pitch bend modes: Solo, which affects only the string being played, and All, which affects all three strings.

Filled with more than 20 articulations, five phrase banks, kakegoe voices, and slide noises

  • Articulation list
  • Mute (front)
  • Up (front)
  • Mute
  • Down Picking
  • Up Picking
  • Staccato
  • Hajiki
  • Vibrato
  • Slide Up
  • Slide Up x 2 times
  • Slide Down
  • Slide Up & Down
  • Slide Up & Down (Series)
  • Slide Up – Down – Up – Down
  • Portamento Up
  • Touch Noise8
  • Release Noise
  • Voice
  • Slide Noise

Five phrase banks
Phrase Bank 1: nine one-shot phrases
Phrase Bank 2: nine 8-bar phrases
Phrase Bank 3: fifteen short pieces taken from longer phrases
Phrase Bank 4: fifteen short pieces taken from longer phrases
Phrase Bank 5: eight short pieces taken from longer phrases

Audio Mixer

Samples were recorded in three stereo microphone positions — Direct, Overhead, and Room — plus a Stereo Mix. Full mixing control is available, with individual Volume, Pan, Reverb Send, and EQ adjustments for each channel. Tsugaru Shamisen also comes with a quality convolution reverb for excellent in-instrument sound creation. The parallel output bus outputs microphone channels to individual DAW tracks for finer mixing sessions.

dt2 01

LOAD Manager
With the load manager, the performer can load only the desired articulations. Skipping unnecessary samples obtains better performance from the Kontakt engine.

dt2 02

This product is downloaded and installed using the Continuata Connect Download utility.

To safeguard this product from illegal copying and sharing, each purchase is embedded with a unique, non-removable watermark used to track piracy.

Native Instruments Kontakt 5.4 Full or newer (Kontakt Player is not supported)

Operating system requirements:
Mac OS X 10.10 or newer recommended
Intel Core 2 Duo or better

Windows 7, Windows 8, or Windows 10
Intel Core 2 Duo or AMD Athlon 64 X2

A minimum of 4 GB of RAM (6 GB is recommended) is needed on both Mac and Windows systems.

Data size:
Library: ~7 GB
Samples: 6.95 GB in NCW format (equivalent to 17.6 GB in wav format)

Notes on using this product
Native Instruments Kontakt 5.4 or newer (Full version) is required to use this library. (Kontakt Player is not supported)

Installing the product requires a minimum of 7 GB of free disk space.

Use the Native Instruments Kontakt recommended system requirements at a minimum. Installing the product on a computer with a faster CPU and ample RAM is recommended for optimal library performance.

Important: Registration is required in order to use the library.

Sonica Instruments
Virtuoso Japanese Series

Product code: SNCI 004
Retail price: $240

[Sonica Instruments End User License Agreement] 

fxpansion logoabletonMediaIntegration